\item Monroy-Hernández, A., Hill, B. M., Gonzalez-Rivero, J., boyd, d. (2011). Computers can’t give credit: How automatic attribution falls short in an online remixing community. Proceedings of the Conference on Computer Human Interaction (CHI).
\item Hill, B. M., Monroy-Hernández, A., Olson, K. (2010). Responses to remixing on a social media sharing website. Proceedings of the 4th AAAI Conference on Weblogs and Social Media (ICWSM). Pp. 74–81.
%\item Hill, B. M. (2010). Revealing errors. In Error: Glitch, Noise, and Jam in New Media Cultures edited by Mark Nunes. Continuum.
\item Buechley, L., Hill, B.M. (2010). LilyPad in the wild: How hardware’s long tail is supporting new engineering and design communities. Proceedings of the Conference on Design of Interactive Systems (DIS). Aarhus, Denmark.
% \item Coleman, G., Hill, B. M. (2004). The social production of ethics in Debian and free software communities: Anthropological lessons for vocational ethics. In Free / Open Source Software Development. edited by Stefan Koch.
\item Monroy-Hernández, A., Hill, B. M., Gonzalez-Rivero, J., boyd, d. (2011). Computers can’t give credit: How automatic attribution falls short in an online remixing community. Proceedings of the Conference on Computer Human Interaction (CHI).
\item Hill, B. M., Monroy-Hernández, A., Olson, K. (2010). Responses to remixing on a social media sharing website. Proceedings of the 4th AAAI Conference on Weblogs and Social Media (ICWSM). Pp. 74–81.
%\item Hill, B. M. (2010). Revealing errors. In Error: Glitch, Noise, and Jam in New Media Cultures edited by Mark Nunes. Continuum.
\item Buechley, L., Hill, B.M. (2010). LilyPad in the wild: How hardware’s long tail is supporting new engineering and design communities. Proceedings of the Conference on Design of Interactive Systems (DIS). Aarhus, Denmark.
% \item Coleman, G., Hill, B. M. (2004). The social production of ethics in Debian and free software communities: Anthropological lessons for vocational ethics. In Free / Open Source Software Development. edited by Stefan Koch.