X-Git-Url: https://projects.mako.cc/source/unhappybirthday/blobdiff_plain/48ccb519879c569f8464593c42c3ff7fa82d1b02..cba491ac864afdcc643e70ce4cd8b242286dbd12:/index.html diff --git a/index.html b/index.html index 0e69e5b..ade2399 100644 --- a/index.html +++ b/index.html @@ -22,103 +22,108 @@ alt="logo" align="center"/>
Did you know Happy Birthday is copyrighted and the copyright is +
Did you know Happy Birthday is copyrighted and the copyright is currently owned and actively enforced by Time Warner?
-Did you know that if you sing a copyrighted song:
+
Did you know that if you sing any copyrighted song:
...at a place open to the public
-
...or among a substantial number of people who are not family or friends
-
You are involved in a public performance of that work?
Did you know an unauthorized public performances is -copyright infringement??
+Did you know an unauthorized public performance is a form of +copyright infringement?
Yes.
-The melody for Happy Birthday was first penned by two sisters -from Kentucky involved in teaching and education: Mildred J. Hill and -Patty Smith Hill. The song was called Good Morning to All but -bore the recognizable melody. The tune was first published in 1893 in -the book Song Stories for the Kindergarten. The tune, being -older, is in the public domain. You should be alright humming.
+The melody for Happy Birthday was first penned by two +sisters from Kentucky, Mildred J. Hill and Patty Smith Hill. The song +was called Good Morning to All, but bore the recognizable +melody. The tune was first published in 1893 in the book Song +Stories for the Kindergarten. The melody has since passed into the +public domain, and is safe to hum in public without permission.
While it is not entirely clear who first wrote down the words for -Happy Birthday, it showed up in a few places before Jessica +Happy Birthday, it showed up in a few places before Jessica Hill (another Hill sister) was able to demonstrate undeniable -similarities between Good Morning to All and Happy -Birthday and to secure the copyright of Happy Birthday To -You.
+similarities between Good Morning to All and Happy +Birthday and to secure the copyright to the song.Working with the Clayton F. Summy Publishing Company, Jessica Hill -published and copyrighted "Happy Birthday" in 1935. While the +published and copyrighted Happy Birthday in 1935. While the copyright should have expired in 1991, copyright has been extended -repeatedly over the last quarter of the twentieth century and -Happy Birthday is not due to expire until at least 2030.
+repeatedly over the last quarter of the twentieth century and the +copyright for Happy Birthday is now not due to expire until +at least 2030. -The Clayton F. Summy Company is no more but, through a chain of -purchase, the copyright lies securely in the hands of Time -Warner. Happy Birthday's copyright is enforced by ASCAP and the little ditty brings in -more than $2 million USD in annual royalties.
+The Clayton F. Summy Company is no longer independent, but, through +a chain of purchases, the copyright for Happy Birthday To You +lies securely in the hands of the Time Warner company. Happy +Birthday's copyright is licensed and enforced by ASCAP, and the simple little ditty +brings in more than USD $2 million in annual royalties.
For more information on the history of the tune, lyrics, and -copyright status check out these resources:
- -There area number of good resources for information on happy -birthday on the web. This include:
+copyright status, check out these resources:Yes.
-According to (the United States copyright law in According to United States copyright law in United States Code, Title -17 §106, authors of works have the exclusive right, among -many other things, "to perform the copyrighted work publicly." In , authors of works such as musical compositions have the +exclusive right "to perform the copyrighted work publicly." In +United States Code, Title -17 §101, the law defines publicly performing a work as to "to -perform or display it at a place open to the public or at any place -where a substantial number of persons outside of a normal circle of a -family and its social acquaintances is gathered.
+17 §101, the law defines publicly performing a work as "to perform +or display it at a place open to the public or at any place where a +substantial number of persons outside of a normal circle of a family +and its social acquaintances is gathered." -Basically, this means that if you sing happy birthday to to your -sister at home, you're probably all right. But if you do it in an -restaurant, and if the restaurant hasn't paid up to Warner or to -ASCAP, you may very well be engaging in copyright infringement.
+This means that if you sing Happy Birthday to your family at +home, you're probably not committing copyright infringment. However, if you +do it in an restaurant — and if the restaurant hasn't already worked +out a deal with ASCAP — you may be engaging in copyright +infringement.
The best way to stop infringement is to tell the -authorities. Licenses for Happy Birthday are controlled by -ASCAP.
+The best way to stop infringement is to tell the authorities and +the owners so that they can follow up and arrange for a license and +for royalties to be paid. Licenses for Happy Birthday are +controlled by ASCAP. While monetary royalties will be negligible for a +single restaurant performance, it is the principle that is at +stake.
+ +If you have seen someone singing Happy Birthday in a restaurant, +a park, or at a school, you should tell ASCAP so that they can arrange +for a license. If you are an offender, you should apologize and offer +to pay whatever is due — a nickel, a quarter, a dollar — +whatever ASCAP demands.
-If you have seen someone signing happy birthday in a restaurant, a -park, or at a school, you should tell ASCAP. If you were the offender, -you should apologize and offer to pay whatever is due — a -nickel, a quarter, a dollar. There is an overwhelming amount copyright -infringement pertaining to Happy Birthday. Let's set the -balance right and overwhelm ASCAP with reports.
+There is an overwhelming amount of copyright infringement of Happy +Birthday. Let's right the balance and tell ASCAP about +every one of these violations!
There are many ways to get in contact with ASCAP:
@@ -136,8 +141,9 @@ New York, NY 10023 1-800-505-4052 -It would also be a good idea to keep Warner Brother's in the -loop. Here's their information:
+It would also be a good idea to keep the song's owner — +Time Warner — in the loop. Here is their contact +information:
@@ -151,43 +157,46 @@ New York, NY 10019-8016-
If you're going send a message, here's a sample message although -you'll want to modify yours to include information to include correct -details on the infringement:
+If you're going to send a message, here's a sample letter. (Before +sending such a letter, you should know that some restaurants, +nightclubs, etc., pay for blanket ASCAP catalogue licenses that might +exempt patrons from copyright liability for singing during dinner.) +You'll want to modify yours to include correct details on the +infringement:
@@ -196,17 +205,16 @@ Regards,Dear ASCAP, -The copyrighted status of "Happy Birthday To You" and and the law +The copyright status of "Happy Birthday To You" and the law related to public performances of copyrighted works have recently been -brought to my attention. I am very concerned by the disregard for the -law shown by the rampant infringement relating to this "Happy Birthday -To You." - -It is with this in mind that I wish to bring your attention an -unauthorized performance: - - -->> WHEN (e.g., December 10, 2004) - -->> WHERE (e.g., at the Vol De Nuit at 148 West 4th Street in New York - -->> WHO (e.g., a group of patrons and the barstaff) - -I hope that you are able to quickly follow through on this and to -enforce your copyright and extract the necessary royalties from the -offenders. - -It is because of your lax and selective enforcement of the copyright -in this work that most people don't even realize that the song is -copyrighted. You might see very different behavior from people if they -knew. - -In the event that you choose to continue selective enforcement of -"Happy Birthday To You", for whatever reason, please considering -lobbying Congress to change the laws to reflect the way that most -people actually interact with copyright works such as this. - -Regards, --->> YOUR NAME --->> YOUR ADDRESS +brought to my attention. I am very concerned by the public's apparent +disregard for copyright law demonstrated by rampant infringement of +"Happy Birthday To You." + +It is with this in mind that I wish to bring to your attention a +recent unauthorized public performance: + + -->> WHEN (e.g., December 10, 2004) + -->> WHERE (e.g., at the Vol De Nuit at 148 West 4th Street in New York) + -->> WHO (e.g., a group of patrons and the barstaff) + +I hope that you are able to quickly follow up on this and to enforce +your copyright and extract the necessary royalties or licenses from +the offenders. + +It is, in part, because of your lax and selective enforcement of your +copyright that most people do not realize that "Happy Birthday To You" +is even copyrighted at all. + +In the event that you choose to continue selectively enforcing the +copyright in "Happy Birthday To You," for whatever reason, please +consider asking Congress to change copyright law to reflect the way that +most people view and interact with copyrighted works such as "Happy +Birthday." + +Sincerely yours, +-->> YOUR NAME +-->> YOUR ADDRESS
Unhappy Birthday is a grassroots project run by citizens who are outraged by rampant copyright infringement in today's -society — particularly in relation to the song Happy -Birthday.
+society — particularly in relation to the song Happy +Birthday. -You can support us in a number of ways including by buying -overpriced tat in the You can support us by buying overpriced items in the official Unhappy Birthday store.
-Get in contact with our leadership by emailing our copyrighteous -spokesman, Benjamin Mako Hill, at mako@atdot.cc
+Our president is Raymond Ty. You can get in contact with our +leadership by emailing our copyrighteous spokesman — Benjamin Mako +Hill — at mako@atdot.cc